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This contrasts nicely with Palmer's fast-talking, looser Emerald she's the firecracker in this powder keg, injecting energy, wit, and comedic relief into a character whose ideas on how to keep the family's legacy alive run up against her brother's intentions.Īs the movie trots along, the plot is always a couple steps ahead of where the mind may go, and - at least upon first viewing - not all of the threads necessarily hold together if you think about them for too long. Kaluuya plays OJ almost like the strong, silent cowboy heroes of Old Hollywood westerns, a man of few words unless the occasion truly calls for it, and the kind of guy who keeps his feelings close to the vest. Night Shyamalan ( Signs), and Alien, just to name a few. True to Peele's sensibilities, Nope seems to be borrowing from a plethora of cinematic references: Spielberg (particularly Jaws and E.T.), M. (His actress girlfriend just broke up with him, much to his dismay.) But the UFO poses more of a threat than they initially realize, and soon the three find themselves on the offensive and enlist the help of an old-school filmmaker - the kind who still shoots on actual film - played by Michael Wincott. Soon, she and OJ have tricked their land out with camera gear with the help of Angel (Brandon Perea), a tech salesman and quirky supernatural enthusiast who has a plethora of time on his hands. Mysterious events and sightings from above begin to occur on the family's ranch, and the hard-hustling Emerald sees an opportunity to make some extra cash by getting the perfect shot of a UFO to sell online.
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Haywood Hollywood Horses is their company, a horse wrangling outfit that's worked with TV and film productions for years and is based in the small California desert valley town of Agua Dulce. (Keith David) while trying to maintain the family business. Eventually, Nope drops us into the world of OJ and Emerald Haywood (Daniel Kaluuya and Keke Palmer), a pair of siblings dealing with the loss of their father Otis, Sr. The film opens by quoting a Bible verse from the book of Nahum: "I will cast abominable filth at you, make you vile, and make you a spectacle," followed by a quiet, eerie scene involving an animal that's best left unsaid for first-time viewers the better to creep you out in the moment. And on that front, he doesn't disappoint. It's a journey that's less social commentary-forward than its predecessors, yet still stacked with plenty of meaning to tease out after you've left the theater.įirst and foremost, he wants us to be in awe. Nope isn't so much a plot-twisty experience to be meticulously deconstructed as it is a consistently surprising one. Peele surely knows by now what audiences anticipate from him and other filmmakers like him, which is probably why - once again - he's managed to subvert our expectations.
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Even more so it's a product of the current cultural landscape, where seemingly every big movie or TV series is laden with twists and Easter eggs and spoiler-y cameos, lending itself to fervent Reddit threads breaking down the creator's underlying meaning. This is partially of Jordan Peele's own doing, because his first two feature films as a writer-director, Get Out and Us, set up high expectations for twisty, multilayered social commentary by way of popcorn thrills. When the first trailer for Nope dropped, viewers almost immediately swarmed social media trying to interpret the opaque montage of shots - shots which revealed virtually nothing about the plot of the movie.
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